Miles Davis - Someday My Prince Will Come (1961) - 2010

Hank Mobley, John Coltrane, Wynton Kelly, Paul Chambers, Jimmy Cobb

Analogue Productions 45 rpm 2 LP-Set (APO-8456-45), USA

2LP, Vinyl Rip, 24/96, FLAC (tracks+.cue)

Rip by aksman

Side A
01 - Someday My Prince Will Come (Frank Churchill) ΓÇô 9:04
Larry Morey wrote lyrics for this song, but this recording is instrumental.

Side B
01 - Old Folks (Willard Robison) ΓÇô 5:14
Dedette Lee Hill wrote lyrics for this song, but this recording is instrumental.
02 - Pfrancing ΓÇô 8:31
(A pun on his wife's name, Frances, and dancing)

Side C
01 - Drad-Dog ΓÇô 4:29
02 - I Thought About You (Jimmy Van Heusen) ΓÇô 4:53
Johnny Mercer wrote lyrics for this song, but this recording is instrumental.

Side D
01 - Teo ΓÇô 9:34 (in reference to Teo Macero)

All tracks written by Miles Davis unless otherwise noted.

Personnel
Miles Davis - Trumpet
Hank Mobley - Tenor saxophone (on all tracks except #6 (first solo on #1))
John Coltrane - Tenor saxophone (only on tracks 1 (second solo) & 6)
Wynton Kelly - Piano
Paul Chambers - double bass
Jimmy Cobb - drums


Technical Log

RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 1.21 for resampling and dithering

Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 1.21
> split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.

Personal Note (from aksman)

With my vinyl rips I try to catch the whole beauty of records. Therefore I don't use any post-processing or any sound improver. What you get is a clear and flat transfer.
For getting a clear sound I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing for each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to loose any musical information.
Surface noises, as long they are not to high, are left in place. Only on bad pressings or on records recorded with extremly low level I do a fade in-/-out. As John Peel said, 'Life is full of surface noises'.
In some cases this means I have to do a compromise... The result has to pass my personal quality criteria which is IMO quite high.